landscape painting

Filtering by Tag: Long Island City Artists

Exhibition: LiC-A @Atlantic Spring 2021

Added on by rebecca kanfer.

Please visit (digitally or schedule in person!) the current LiC-A member show at the Atlantic Gallery, NYC. My recently completed oil painting “Water Under the Bridge” will be on display in the annual LIC-Artists member show.

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A Virtual Opening Reception will be held via Zoom on Saturday May 1st, at 3pm. A direct link with details to join are below, so you can tune in and see/hear about new works by local NYC artists, created during the past year. See you there!

Please use ID below to join the zoom meeting:

Meeting ID: 861 5878 3434

Passcode: LICA2021

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Exhibition Opening: LIC-Artists “Made In New York” at Maison des Arts, Lavelanet, France

Added on by rebecca kanfer.

The Long Island City Artists exhibition “Made In New York, curated by Nancy Gesimondo, held the opening reception Friday 6th September. The show looks wonderful in the charming Maison des Arts Gallery, in the town of Lavelanet, France. Lavelanet is a former booming textile town which has transformed into a lively arts community. The below photos (courtesy of Nancy Gesimondo) provide a nice sense of the event; a great turnout with people having a nice time engaging with the artworks and one another.

Congratulations to my fellow artists who participated in the show and Nancy Gesimondo for a successful show in this lovely town! So excited to share this event with you :)

#licartists #longislandcityartists #nycartists #exhibition #maisondesarts #avelanarts

Opening reception for LIC-Artists “Made In New York” exhibition at Maison des Arts Gallery

Opening reception for LIC-Artists “Made In New York” exhibition at Maison des Arts Gallery

Opening reception continued… exhibition curator Nancy Gesimondo (middle left image)

Opening reception continued… exhibition curator Nancy Gesimondo (middle left image)

Color + Light: To evoke stillness, energy of the city and connection to the natural world

Added on by rebecca kanfer.

These works individually and collectively seek to evoke a sense of quiet and serenity, and capture the universal yet intimate experience of specific landscape typologies, through use of color, day-light-time, and sense of movement or stillness. The horizon line plays an important role serving as an anchor within the image, and additionally in several paintings provides a datum for continuity between the image set.

I began with a series of abstracted color studies, created as digital images, which are based on a collection of landscape photographs. These are labeled based on “time of day” or “light descriptions” in an attempt to categorize and group the photos into series.

(Above) A series of digital color studies taken from photographs (from left to right): night/dusk/daytime, stormy palette, sunset palette, sunset color study for individual painting.

(Above) A series of digital color studies taken from photographs (from left to right): night/dusk/daytime, stormy palette, sunset palette, sunset color study for individual painting.

Each painting is the culmination of many hours, days, and years spent observing daily or seasonal patterns of my immediate landscape. For example, the oil painting “Urban Lights: blue orange grey” comes from many cycling journeys through the heart of New York City up to the Palisades in New York and New Jersey. Often times these trips begin early - as dawn stretches and glows across the horizon; the journey then ends in quiet dusk with the backdrop of racing beams of light passing from all directions. This painting captures the multifaceted energy of the city and connection to elements of the natural world. It provides the opportunity for quiet, stillness, and reflection amongst the hectic frenzy of urban movement and life.

The series includes abstracted scenes covering a spectrum from urban to deep forest. In each there are lyrical moments which speak to life and human connection. A horizon line across the works provides a consistent datum, and indicates the fundamental connection between even the most disparate landscapes.

Portraits of Nature: My Wish, in three paintings

Added on by rebecca kanfer.

The painting, My Wish, was inspired by an experience from a fall afternoon in early November several years ago. It must have been unseasonably warm, because I was out on my bike riding through the borough of Manhattan. Traveling towards the Brooklyn Bridge, a bike path carried me into City Hall Park. I felt transported as I passed between elegant limestone buildings and mature shade trees, along a cobblestone pathway.

My Wish 03, oil painting on wood board (2018)

My Wish 03, oil painting on wood board (2018)

To my left - a stunning pair of ginkgo trees don their brilliant yellow hues. It was just days before the leaves would drop. Completely enthralled, I stop and sit on a bench across from them to take in the beauty of the trees. There is an incredible sense of strength, history, and wisdom from this spot. Surrounded by memorials from the Revolutionary war, stately buildings over two centuries old, and the ginkgo trees which are many decades old and will likely exist many decades beyond my lifetime.

Ginkgo trees carry symbolic meaning for eastern and western cultures including hope, peace, strength, and longevity. They are a pre-historic tree species with ancestors that survived the ice age, the blast of Hiroshima, as well as dramatically changing climatic conditions over hundreds of millions of years. In their presence, it is possible to see this history embedded in the very structure of these trees. The roughly textured cool gray bark, the angular shaped branches with alternating nubs that sprout bunches of leaves in the spring, and the fan-shaped two-lobed leaves speak of an entirely different age. In their presence, I feel transported.

My Wish 03, process paintings

My Wish 03, process paintings

This painting developed over the course of a year, and evolved as I came to better understand this pair of ginkgo trees and what they represent. During the process I also created watercolor study paintings to explore the sense of light, architecture, and form and texture of the leaves/branches of the trees. These studies helped inform my approach for the oil painting and my language for describing the trees within their environment.

My Wish, watercolor paintings on cold press paper (2018)

My Wish, watercolor paintings on cold press paper (2018)