landscape painting

Is there value in sketching? Urban Sketching Symposium

Added on by rebecca kanfer.

Do hand rendered images and representations still have value in the field of Landscape Architecture?

For at least the past several years Landscape professionals have been involved in a game of catch-up in order to remain at the front end of rapidly changing technology and production systems. Everything is changing - from how designers brainstorm and represent ideas, to the production of documents for planning and construction, to the materials and process of construction.

I constantly find myself asking questions about what drives the value and necessity of these technological upgrades? And is it necessary to continue to utilize visual thinking and brainstorming skills such as sketching? 

I would like to highlight the practice of sketching,   and provide an example of how it still holds value for design professionals.  

Land8, a Landscape Architecture website, provides information about national and international design projects, professional development, and dialogue for design professionals. I try to make a habit of visiting this site weekly for various reasons:

1. To learn about cool new projects and follow project discussions.

2. Because when I am feeling uninspired I know that there is something on Land8 that will inspire me.

3. To understand and learn from perspectives of practitioners, students, and educators from around the world.

I recently found a posting about the "4th International Urban Sketching Symposium" in Barcelona. Participants from 30 different countries gathered together to celebrate sketching. The discussion itself is not provided, however a sampling of beautifully sketched street scenes are shared.

I am interested to hear other ideas of if and why sketching should be maintained as a standard practice for Landscape Architecture and design professionals. 

 

 

2013 may 27 - painting in process...

Added on by rebecca kanfer.
a bridge overpass becomes an energetic strip of color and movement... the highway below also breathes new life. Fluctuating water ebbs and flows within the recessed channel. Terraced forms sculpt the edges, while history is carved out along the grou…

a bridge overpass becomes an energetic strip of color and movement... the highway below also breathes new life. Fluctuating water ebbs and flows within the recessed channel. Terraced forms sculpt the edges, while history is carved out along the ground surface.

painting in process...

Added on by rebecca kanfer.

breakdown of image and graphic interest in composition. 

begin with a framework for seeing. the composition is based on a singular perspective with a strong directional pull towards the horizon/vanishing point...

begin with a framework for seeing. the composition is based on a singular perspective with a strong directional pull towards the horizon/vanishing point...

ACE Mentor Legacy Design Project - Preliminary School Yard Design Meeting

Added on by rebecca kanfer.

Preliminary work has begun on the ACE Mentor Legacy Design Project, in preparation for the annual ASLA national convention. The project provides the opportunity for mentees/students, community members, and design professionals to collaborate on a service project. This year's selection is a school yard design for PJ Kennedy Elementary School in East Boston, MA.

​Please follow the below link for more information - I will continue to post updates as the project evolves.

 http://bslaace.wordpress.com/2013/05/20/bsla-meets-with-pj-kennedy-school-to-present-prelimary-designs/

a walk in the woods - art or science?

Added on by rebecca kanfer.

This evening I read a rather refreshing article, "Noticing: How To Take A Walk In The Woods," by Adam Woods from the NPR website. The article is framed by a discussion of cultural and individual value - what we see as meaningful in our daily lives; I appreciate the discussion about the value of a simple act such as a walk in the woods. I am responding to the author's notion of what it means to "notice" and "observe" one's surroundings, and would like to interject the act of observing comes from a place of aesthetics and sensationalism before it is brought to one's scientific palette. 

The experience the author speaks of is equally or more so related to a phenomenon that is not quantitative at all. Thoreau, after all, is known for his poetry and writings about nature and beauty, as well as his astute observations and documentation of ecology and founding of 'naturalism'. One might say that he was inspired by nature enough to devote his life to the experience of nature and to understand the function of nature. When in nature, it is likely that one is acting as a scientist and an artist simultaneously. We are part of a culture driven by scientific thought and rationalized by what we can see and prove with logic and spreadsheets. For the record, I am not against the scientific method; in fact I believe that the creative process and imagination can be deepened and expanded with scientific intervention. Thanks to science we have learned to adapt ourselves and nature in a way that industry and culture can thrive, and ecologies are being defined in entirely new ways. With that said, the creative mind is equally important as rationalized thought, and is not used nearly enough.     ​

The Scientist and the Artist set off together to take a walk in the woods.

​The Scientist stops short in front of a small white flower, stunned, and says, "Well my goodness. I can't believe this trillium is already coming into bloom, it must be almost 24 days ahead of its typical blooming period in this zone 4 climate. I must properly document this to share as evidence of global warming!"

The artist pauses to ponder the meaning of this early bloomer, thinking of how the small white flower symbolizes the grace and power one must poses to fulfill his or her dreams and life purpose. He lifts his gaze to his friend and says, "It is truly a miracle which lays here before us, a delicate white blossom that pops out at the eye amid the sea of monotonous browns and grays on the forest floor. Such brilliance it possesses to brighten our pathway in the midst of this month."  

The Artist then pauses to consider what the Scientist has said about regular bloom cycles - eluding to logic and reason of the existence of this flower, and then dismisses it. The same thought process travels through the Scientists mind, but in reverse. The two politely smile at one-another, take a final glimpse at the lone flower and continue their walk down the woodland pathway.